Course: Interpretive Inquiry:
EDEC 707-001
Instructor: Dr. Lynn Butler-Kisber
Class time: Monday and
Wednesday 5:35-8:35 pm
Location: Education Building Room 437
Tel: 514-398-2252
Office hours: By appointment
Email: lynn.butlerkisber@mcgill.ca
Web site: www.thelivingclassroom.com
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Qualitative research spans a continuum of perspectives and approaches
that include those that lie toward the realist/positivist end, such
as the work of critical realist Miles and Huberman, to those post-modern
researchers that embrace pragmatist, constructivist and feminist
epistemologies such as Annie Rogers and Laurel Richardson. The more
“positivist” qualitative researchers build their work
on conceptual frameworks and from the perspective of a more objective
stance. Post-modern and feminist qualitative researchers embrace
subjectivity in research emphasizing the position and voice of the
researcher in the process, and the participatory and collaborative
nature of research. They embrace a range of perspectives and approaches
that may be categorized as thematic, narrative, and arts-informed
inquiry, and choose those that will best tell the stories of people
who have been silenced. They seek to redress social justice issues
and to make research accessible and useful.
A great deal has been written on access, ethics, data collection
strategies, and representational possibilities from these various
perspectives. Far less attention has been paid to making the inquiry
process explicit, from the moment it “starts” through
the work that accompanies the transformation of field texts, from
the “raw” forms to the ultimate, public representational
ones. Yet the persuasiveness of a study is enhanced substantially
when the inquiry processes the researcher uses are made transparent.
The notion of trustworthiness, replaces that of validity. Trustworthiness,
or credibility, is based on the persuasiveness of the work, not
on specific measures or approaches to guarantee the "accuracy"
of the interpretation.
Making the inquiry process transparent is particularly useful
to other researchers who may use, adapt or build on the creative
possibilities that exist for developing interpretive strategies.
Just as we can learn from the “particular” (Donmoyer,
1990) through well-crafted, in-depth stories about individual people
and contexts, so too can we enhance our inquiry strategies, particularly
as students of qualitative research, by having access to what researchers
do in creating and transforming their field texts into their research
representations.
Aim of the course
Using the required text entitled: Qualitative inquiry: Thematic,
narrative and arts-formed perspectives as a framework for the
course, the aim is to explore a variety of inquiry approaches that
may be used with a range of research material. The course is directed
particularly to those students who already have field texts (data)
and are in the intensive stages of analyses. Students will:
- Situate themselves in a research perspective(s) and within their
studies
- Explore the basic issues that confront qualitative researchers
- Use hands-on approaches in exercises that will build understanding
and analytical skills in thematic (constant comparison/grounded
theory & phenomenological), narrative, and arts-informed (poetic,
collage, photographic, and performative) inquiry
- Digest, summarize, and discuss critically theoretical articles
that are the underpinnings of these various perspectives
- Explore various lenses for defending and evaluating qualitative
inquiry
- Synthesize promising lessons in the work for a sharing/exhibition
at the end of the course
Course format
The course is designed to follow a seminar/workshop format, where
through participation and collaboration, the understandings gleaned
from course readings will be co-constructed and critiqued. A range
of inquiry approaches will be explored in a hands-on way using common
field texts (data) and/or individual field texts (data sets) in
exercises that will be shared with the group. One exercise will
be chosen from the assigned “application readings” (see
readings with asterisk in the course pack) each week and will be
applied to each person’s own field texts (data). Meant to
be short, succinct, and works in progress, these exercises should
be submitted in hard copy and in duplicate at the
end of the particular class to which they are assigned. Invited
guests will add to the experience by sharing their inquiry approaches,
insights, and issues.
Evaluation
Student work will receive ongoing feedback as it is submitted.
The course will be evaluated on a pass/fail basis. The rationale
for a pass/fail system is that it enhances the risk-taking and collaboration
by eliminating the competition that grading engenders. Since most
students will have successfully completed a qualitative course or
the equivalent, the emphasis is not on demonstrating competency
in the traditional way, but rather on exploring and building knowledge
and skills that will be particular to, and relevant for, each student’s
research agenda.
Students will be required to complete and share in-class collaborative
work, facilitate in-class response groups, participate in ongoing
memoing exercises, and complete and share work done out of class
time. These collaborative and individual assignments will become
part of an “exhibition/sharing” of work that will take
place in the final class which then will be submitted. More specific
guidelines for this final assignment will be discussed and distributed
in class.
Required text
Butler-Kisber, L. (2010). Qualitative inquiry:
Thematic, narrative, and arts-informed perspectives. London:
Sage. Available at McGill Bookstore (price $45.95)
Course packet
Available at the McGill Bookstore (price approx. $55)
Other useful resources
- American Educational Research Journal
- Anthropology and Education Quarterly
- Educational
Insights
- Educational Researcher (Journal put out by AERA)
- Handbook of Interview Research (Gubrium & Holstein, 2002,
Sage)
- Handbook of Action Research (Reason & Bradbury, Eds. 2001,
Sage)
- Handbook of Narrative Inquiry (Clandinin, Ed. 2008)
- Handbook of Constructionist Research (Holstein & Gubrium,
Eds. 2008, Guilford)
- Handbook of Qualitative Research 3rd Edition (Denzin
& Lincoln, Eds. 2005)
- International
Journal of Education and the Arts
- Journal of Contemporary Ethnography
- LEARNing
Landscapes Journal
- The Sage Encylopedia of Qualitative Research Methods, Vols:
1&2 (Given, Ed. 2008)
Please note: McGill University values academic
integrity. Therefore, all students must understand the meaning and
consequences of cheating, plagiarism and other academic offences
under the Code of Student Conduct and Disciplinary Procedures (see
www.mcgill.ca/integrity
for more information).
In accord with McGill University’s Charter of Students’
Rights, students in this course have the right to submit in English
or in French any written work that is to be graded.
COURSE OVERVIEW
(R) = Response to readings prepared for class discussion
(A) = Application of approach outlined in article to individual
field texts (data sets)
Assigned readings & exercises to be discussed/shared on date
indicated
DATE: 2010 |
TOPICS: |
READINGS TO BE SHARED: |
Mon. May 03
Introduction to interpretive inquiry |
- Personal profiles
- Ethics
- Researcher identity
- Memoing
- Creating field texts
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Wed. May 05
Qualitative inquiry landscapes |
- Identity memos
- Response to readings
- Review of field text
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B-K: Chap. 1&2
(R) Fontana & Frey
(R) Madison
(R) Maxwell & Miller
(R) Saldana |
Mon. May 10
Thematic inquiry
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- Guest: Dr. Linda Furlini
- Response to readings
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B-K: Chap. 3&4
(R) Charmaz (2005)
(R) Oiler |
Wed. May 12
Thematic inquiry
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- Sharing categorization
- Intro to narrative inquiry
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(A) Maykut & Morehouse OR
(A) Reiman
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Mon. May 17
Narrative inquiry
(optional)
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- Workshop: narrative inquiry exercises
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Wed. May 19 Poetic inquiry |
- Sharing narrative inquiry exercises & readings
- Intro to poetic inquiry
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B-K: Chap. 5
(R) Pinnegar & Daynes
(A) Leiblich OR
(A) Rhodes
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Mon. May 24 |
Holiday: No class |
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Wed. May 26
Poetic inquiry
Guest lecturers: Drs. Charlotte Hussey & Mary Stewart
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- Sharing poetic inquiry exercises & readings
- “Notes” on the doctoral experience
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B-K: Chap. 6
(R) Sullivan
(A) B-Kisber (2002)
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Mon. May 31
Collage inquiry
Guest facilitator: Ms. Donna Davis |
- Collage application with
- Sharing collage exercises & readings; art cards
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B-K: Chap. 7
(R) James
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Wed. June 02 Photographic inquiry |
- Intro to visual methodologies
- Collage as inquiry
- Sharing visual inquiry exercises & readings
- Concept mapping
- Intro to performance in inquiry
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B-K: Chap. 8
(R) Harper
(R) Prosser
(A) Lykes OR
(A) Wang
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Mon. June 07
Performative inquiry (optional)
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- Workshop: reader’s theatre (group work)
Using Donmoyer & Donmoyer and handout (to be distributed)
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Wed. June 09
Performative inquiry |
- Sharing readers’ theatre
- Sharing readings
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B-K: Chap. 9
(R) Pelias
(R) Leavy
(A) Donmoyer & Donmoyer
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Mon. June 14
Justifying and evaluating qualitative inquiry
(optional)
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- Workshop: panel preparation and/or exhibits
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Wed. June 16
Sharing/exhibition |
- Panel presentation
- Culmination and sharing of work
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B-K: Chap. 10
(R) Barone & Eisner
(R) Cole & Knowles
(R) Kerry-Moran |
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